JINGLE ON MY SON!

JINGLE ON MY SON!
A doughty champion of his local culture.(Poet Tom Hubbard)Your performance at the city hall was soooooooooo good! Christoph thought it was excellent! (Carolyn)

12.8.13

TUEBINGEN/DURHAM LITERARY/ARTS TWINNING




The partnership with County Durham and the City of Tuebingen in Germany was established in 1969.  

Poet Doctor Keith Armstrong, who gained his doctorate at the University on Durham in 2007, following on from Bachelor's and Master's degrees there, first visited Tuebingen in November 1987, with the support of the County Council and the Kulturamt in Tuebingen, to give readings and talks there for a period of a month. Since then he has travelled to the city over 30 times and helped arrange for Durham poets, musicians and artists and their counterparts in Tuebingen to visit their respective cultural twins.

Keith will be back in Tuebingen in November 2013 to participate in a symposium about writer Hermann Hesse, who lived and worked in Tuebingen in the 1890s, and there are plans for Sara Hauser to come to Durham in 2014.

The twinning continues to go from strength to strength. Poet Doctor Keith Armstrong and folk rock musician Gary Miller, lead singer of Durham band the Whisky Priests, travelled to Tuebingen at the end of March 2012 for performances in pubs, cabaret venues and schools where they performed with Tuebingen poet Tibor Schneider who visited Durham in October of that year as part of the ongoing exchange. Tibor joined his Durham counterparts for readings at Durham University and at the Half Moon Inn. He was also interviewed on BBC Radio Tees concerning his Durham visit.

Keith Armstrong and Gary Miller returned the compliment with a trip to Tuebingen in March 2013 where they performed again in bars, cafes and schools with poets Tibor Schneider, Sara Hauser and Tuebingen musicians. 

In 2011, Tuebingen rock musician Juergen Sturm jetted in with his music partner Mary Jane at the end of October for pub gigs, including a twinning event in Durham on Monday 31st October featuring Juergen and Mary Jane with Durham folk musicians and poets. That followed on from a visit to Tuebingen in South Germany in early April 2011 by Keith Armstrong and photographer/artist Peter Dixon. The intrepid pair worked together on a touring display featuring Armstrong's poems and Dixon's photographs documenting the unique link between Tuebingen and Durham which was staged initially in the Durham Room at County Hall, Durham in November. Armstrong performed his poetry in cafes, bars and schools and met up with Tuebingen friends, old and new, with the multi-talented Dixon capturing all of it on film. 

This trip reciprocated a visit to Durham in November 2010 by Tuebingen poets Henning Ziebritzki and Carolyn Murphey Melchers, when Juergen Stuerm also took part in a series of pub performances. There was a special event at Clayport Library, Durham City on Monday November 1st with the Tuebingen poets and special guests from Durham, followed by a rousing session in the Dun Cow when Juergen, with Mary Jane, and his Durham counterparts, Gary Miller and Marie Little belted out their lively songs.



In addition to his most recent visit, Armstrong was in Tuebingen in May 2010 with Gary Miller for performances in his favourite Tuebingen bar ‘The Boulanger’ and at a local school. This followed a special guest appearance in 2009 at the biannual Book Festival, a reading with Tuebingen counterpart Eva Christina Zeller and a visit to local schools. Eva visited Durham for readings in schools and at a special event on May 13th 2009 at Clayport Library which also featured poets Katrina Porteous, Jackie Litherland, Cynthia Fuller, and William Martin, as well as Doctor Armstrong and music from the Durham Scratch Choir and Andy Jackson.

A highly successful series of events were held in 2007 to celebrate the 20th anniversary of the literary/arts twinning established by Keith Armstrong when he first visited Tuebingen in 1987 for a month’s residency, supported by Durham County Council and Tuebingen’s Kulturamt. Since then, there have been readings and performances in pubs, universities and castles, schools, libraries, book festivals, jazz and cabaret clubs, even in Hermann Hesse’s old apartment, involving poets, writers, teachers and musicians from the twin partnerships of Durham and Tuebingen.

Tuebingen’s music duo Acoustic Storm, poet/translator Carolyn Murphey Melchers and Cultural Officer visited Durham and the North East in October/November 2007. The musicians performed in Durham schools and pubs and there was a special evening in Durham’s Clayport Library to celebrate the twinning, with Keith Armstrong launching his new Tuebingen poetry booklet and performances by poets Carolyn Murphey Melchers, Katrina Porteous, William Martin, Michael Standen, Ian Horn, Cynthia Fuller, Hugh Doyle and musicians Acoustic Storm, Marie Little and Gary Miller. Margit Aldinger of the Kulturamt in Tuebingen and Brian Stobie of the International Department, Durham County Council, also addressed the audience.

For the record, here's a list of those who have made it happen so far:

Tuebingen visitors to Durham since 1987:

Carolyn Murphey Melchers, Karin Miedler, Gerhard Oberlin, Uwe Kolbe, Johannes Bauer, Eva Christina Zeller, Simone Mittmann, Florian Werner, Juergen Sturm, Mary Jane, Wolf Abromeit, Christopher Harvie, Eberhard Bort, Marcus Hammerschmitt, Henning Ziebritzki, Andy and Alessandra Fazion Marx, Otto Buchegger, Tibor Schneider.

Durham visitors to Tuebingen since 1987:

Keith Armstrong, Michael Standen, Julia Darling, Andy Jackson, Fiona MacPherson, Katrina Porteous, Marie Little, Ian Horn, Alan C. Brown, Linda France, Jackie Litherland, Cynthia Fuller, Margaret Wilkinson, Jez Lowe, Jack Routledge, Gary Miller, Matthew Burge, David Stead, Hugh Doyle, Peter Dixon.

These events were supported by Tuebingen’s Kulturamt and Durham County Council.


FURTHER INFORMATION: NORTHERN VOICES COMMUNITY PROJECTS TEL. 0191 2529531.

11.8.13

HEXHAM TANS
















'Hides lifted from a lime-pit were soaked for days, scraped and ‘bated’ in solutions of dog excrement and ground bark before hanging up to dry.'


You ancient company
of skinners and glovers,
you gossiping crafts.

You hatters and tanners,
leather-dressers and cutters,
we can hear you and sniff you in Hexham’s dank lanes.

You clockmakers and bookbinders,
pipemakers and joiners,
we touch your worksore hands.

You shoemakers and collarmakers,
weavers and saddlers,
we bear your burdens and your smiles.

You dressmakers,
ropeworkers,
cabinetmakers,
basketmakers.
Tinsmiths and
millwrights,
butchers and
engravers.

You 1000 sewing women in your homes,
you bakers and tapestry-makers,
you’ve led us here -

we worship you,
we drink your sweat.



KEITH ARMSTRONG


'Hexham had a leather trade of some antiquity, and it was certainly important in the 17th century. In the early 19th century about 1,200 out of Hexham's 6,000 inhabitants were involved in the leather trades. One firm alone made 50 dozen [pairs?] of gloves per week, and the overall total was 23,504 dozen [pairs?] per year in 1823, using some 98,000 skins. The Hexham glove making industry was heavily dependent upon outwork. There were, in 1823, 71 men and boys employed as leather dressers and glove cutters, 40 boys employed as dusters, and 1000 women in Hexham and the surrounding area were employed in domestic outwork i.e. sewing. The tanneries which mainly supplied the glovers only employed about 20 people.

The gloves, known as ‘Hexham Tans', were being mainly sent to the London Market, and then re-exported to America. However, during the course of the 19th century Hexham failed to develop machine cutting and sewing on the factory system, and glove making became yet another urbanised industry, especially in Leeds.'

8.8.13

IN GRONINGEN MUSEUM


















(for Maria and Marieke)

Four grey walls, and four grey towers,
Overlook a space of flowers.

Pictures of the weary traveller
sleeping on a train,
slipping slowly down,
sipping seeping rain.

Images of a little boy
learning how to speak,
lips leaking words,
lilting leaping streets.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly.

Eyes floating in the museum
glance from another day,
gorgeous girls on fire,
glaring golden rays.

Flames of a shattered light
bursting on the walls,
buds blazing with life,
blooming beauty curls.

In her web she still delights
To weave the mirror's magic sights.

Strands of a lover’s hair
playing in my face,
painful pangs of lust,
pulling parting lace.

Curves of a winter’s bones
thread through my breath,
tears trickling away,
teasing threadbare dress.

There she weaves by night and day
A magic web with colours gay.

Shards of sunlit ale
flickering in my throat,
feelings filtering in the air,
fear framing boats.

Canals of soaking memories
drowning in my eyes,
drifting darlings of the past,
draped delicate thighs.

A gleaming shape she floated by,
Dead-pale between the houses high.

Tunes from the fields
call a city’s voices,
coursing chords of love,
crazy calming noise.

Choirs of Groningen fish
hollering in the dawn,
heavenly hearts of folk,
history’s hopes are torn.

They heard her singing her last song,
The Lady of Shalott.




KEITH ARMSTRONG

5.8.13

IN THE FIRE STATION, WHITLEY BAY

























The screen
in the corner
flashes celebrity images
above the hunched heads
of craggy regulars.
Subtitles punctuate
the horror of Syria,
shallowness of Beckham’s mouth
gabbing
like a demented fish
over supping plebs.
Their talk is of aches and pains
and scraping through,
their question time has no answers,
only weary
resignations.
The TV mocks
the ordinary
struggles
to bring up soft babies
with tough futures.
The thing
is forced upon us,
dumped upon us,
scoffing
at the weak
on cheap beer.
It says:
DAVID CAMERON IS IN WASHINGTON .
Well, we are drinking in Whitley Bay
and HE,
he can piss off.
In the Fire Station,
we have thirsts to slake,
bets to be placed
on whether we’ll make it
through to another tomorrow
just the same
and just as unjust.




KEITH ARMSTRONG

2.8.13

VIEW FROM ZOLLERNBLICK


































View from Zollernblick is the second collection of essays based on the European Regionalism symposia at Freudenstadt in Baden-Württ temberg, organised since 1991 by Christopher Harvie and Eberhard Bort. Networking Europe: Essays on Regionalism and Social Democracy was published by Liverpool University Press in 2000.

View from Zollernblick Regional Perspectives in Europe. List of Contributors: Eberhard Bort, Peter McCarey, Wolfgang Mössinger, Alison Harvie, David Walker, Tom Hubbard, Paul Gillespie, Klaus Stolz, Lesley Riddoch, Robin McAlpine, James Mitchell, Christopher Harvie, Tom Gallagher, John Osmond, Ian S Wood, Thomas Leuerer, Eberhard Bort, Peter Conradi and Helmut Doka, Henry Cowper, Terry Brotherstone, Patricia Conlan, Paul Salveson, Douglas McLeod, Noel Spare, Irene Quaile-Kersken, Frank Conlan, Stefan Büttner, Sarah Boyack, Richard Demarco, Owen Dudley Edwards, Tessa Ransford, Mario Relich, Allan Massie, Neal Ascherson and Keith Armstrong.

Again, an array of regional perspectives on constitutional politics, policy areas and cultural connections reflect the lively and diverse conversations so characteristic for these unique annual meetings of minds in the Black Forest, with contributions by academics, journalists academics, journalists, writers and politicians from Scotland, Wales, England, Ireland, Germany and other European regions. 

This book is also a Festschrift for Chris Harvie who, as a Scottish historian, a Professor of British and Irish Studies at the University of Tübingen, and a Member of the Scott ish Parliament, has been the spiritus rector - or Lord of Misrule - at the Zollernblick gatherings. 



£14.99

Grace Note Publications
Grange of Locherlour
Ochtertyre, Perthshire, PH7 4JS, Scotland

25.7.13

NEWCASTLE IS PICARDY

































Grainger Street hums
and bakes
in the peeling sunshine;
this walled, world weary city
adopts a certain Latin glow:
car drivers swear more brilliantly,
girls giggle louder
and trap my eyes
in the flash
of their hair.
The world is simply
passing us by.
And who cares,
in this haze
of a burning Empire?
So long as
the sunbeams 
swim
in our beer
and the roses
are blooming
in Picardy.


Keith Armstrong

14.7.13

MINING WORLD


11.7.13

JACK COMMON (1903-68)








































I've just donated a selection of material from my researches on Newcastle writer Jack Common (1903-68) - interviews with family and friends; posters and leaflets for Jack Common events etc - to this collection at Newcastle University Library: http://www.ncl.ac.uk/library/specialcollections/collections/handlists/common_papers_handlist_current.pdf

7.7.13

TELL ME LIES ABOUT NORTHUMBERLAND


















(in honour of Adrian Mitchell)

Say this land is ours, 
these pipe tunes do not cry. 
The birds all sing in dialect,
old miners breathe like dukes.

Tell me lies about Northumberland.

Tell me it isn’t feudal,
that castles were built for us.
We never touch the forelock,
bend to scrape up dust.

Tell me lies about Northumberland.

Your pretty girls don’t stink of slaughter,
your eyes don’t blur with myth.
You’re as equal as a duchess,
saints never smell of piss.

Tell me lies about Northumberland.

Your roots are in this valley,
you were never from doon south.
You never hide your birthplace,
you’re a real poet of the north.

Tell me lies about Northumberland.

The churches are not crumbling,
the congregations glow with hope.
We are different from the foreigner,
our poetry rhymes with wine. 

Tell me lies about Northumberland. 

There is no landed gentry,
no homes locals can’t afford.
There’s no army on the moors,
the Romans freed us all.

Tell me lies about Northumberland.

That the hurt is in the past,
the future holds no war.
Home rule is at our fingertips,
the Coquet swims with love.

Tell me lies about Northumberland.  

‘The Garden’ is our children’s,
Hotspur spurs us on.
The seagulls are not soaked in oil,
the cows are not diseased.

Tell me lies about Northumberland.

This Kingdom is United,
‘Culture’ is our God. 
Everyone’s a Basil Bunting freak,
there’s music everywhere.

Tell me lies about Northumberland.

We will have our independence,
we’ll get the Gospels back.
We live off museums and tourists,
we don’t need boats or trades.

Tell me lies about Northumberland.

We’re in charge of our own futures,
we have north east citizens here.
In this autonomous republic,
we’re free as dicky birds.

So shut your eyes.

And tell me lies 

about Northumberland.






4.7.13

OLD NEWCASTLE





HERITAGE OPEN DAYS: OLD NEWCASTLE

Sunday 15th September 12-3pm, Castle Keep, Newcastle – hear poetry inspired by Old Newcastle written and performed by local poet Keith Armstrong accompanied by piper Ann Sessoms.

3.7.13

JOSEPH SKIPSEY: PITMAN POET (1832 -1903)



HERITAGE OPEN DAYS 2013.


NORTH EAST ODES AND PIT POEMS.

Thursday September 12th 2013 7.30pm in the Red House, Sandhill, Quayside, Newcastle. Poetry and folk music event featuring poems and songs about Newcastle and the North East, with an open mic session combined with a Joseph Skipsey ('The Pitman Poet of Percy Main', 1832-1903) anniversary celebration featuring: readings by and about Skipsey by Keith Armstrong, Catherine Graham, Dave Alton and Steve Brown, settings of Skipsey's poems sung by his great great grandson Chris Harrison, songs by folk group 'Kiddar's Luck' and by Whitby's Tony Morris, with a set from Ann Sessoms on Northumbrian Pipes.

NORTHERN VOICES COMMUNITY PROJECTS presents:

THE PITMAN POET OF PERCY MAIN ― An event to mark the 110th anniversary of the death of Joseph Skipsey (1832-1903), the Pitman Poet of Percy Main. Featuring new settings of Skipsey's poems by great great grandson Chris Harrison, including his famous Hartley Calamity ballad, with readings from 'Still The Sea Rolls On', the recent NVCP Hartley commemorative book, by local poets and by Whitley Bay poet Keith Armstrong who also reads a selection from Skipsey, together with his own new poems on Skipsey and on Edward Elliot of Earsdon, the stonemason for the Hartley Memorial as well as a local people's poet. Also featuring a performance of the New Hartley Pit Disaster song (Brothers, Sons and Dads) by The Sawdust Jacks and The St Alban's Church Choir and Ann Sessoms from Shiremoor on Northumbrian Pipes.

Performed at the Hartley Memorial, Earsdon Churchyard on Saturday 14th September 11am to 12 noon (in St Alban's Church, Earsdon, in the event of bad weather).

The Northern Voices Community Projects' display about the Hartley Calamity of 1862 will be in the church on the day.

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whitley bay, tyne and wear, United Kingdom
poet and raconteur