Born in Heaton, Newcastle upon Tyne, where he has worked as a community development worker, poet, librarian and publisher, Keith Armstrong, now residing in the seaside town of Whitley Bay, is coordinator of the Northern Voices creative writing and community publishing project which specialises in recording the experiences of people in the North East of England. He has organised several community arts festivals in the region and many literary events featuring the likes of Yevgeny Yevtushenko, Douglas Dunn, Barry Hines, Linton Kwesi Johnson, Katrina Porteous, Ian McMillan, Peter Mortimer, Sean O'Brien, Edward Bond, Edwin Morgan, Uwe Kolbe, Attila the Stockbroker, Jon Silkin, Brendan Cleary, Paul Summers, Ivor Cutler, Adrian Mitchell, Julia Darling, Jackie Kay, Linda France, Frank Messina, Ron Whitehead, Benjamin Zephaniah, Liz Lochhead, The Poets from Epibreren, Tsead Bruinja, The Poetry Virgins, and The Poetry Vandals. He was founder of Ostrich poetry magazine, Poetry North East, Tyneside Writers' Workshop, Tyneside Poets, East Durham Writers' Workshop, Tyneside Trade Unionists for Socialist Arts, Tyneside Street Press and the Strong Words and Durham Voices community publishing series. He has recently compiled and edited books on the Durham Miners Gala and on the former mining communities of County Durham, the market town of Hexham and the heritage of North Tyneside.
He has served on the Committee of the Federation of Worker Writers & Community Publishers and of the North East of England Labour History Society. He qualified as a Chartered Librarian at Newcastle Polytechnic and was employed in this field at Newcastle University Library, Blyth Public Library, International Research and Development Company (I.R.D.,Newcastle), Merz & McLellan Consulting Engineers (Killingworth), Gateshead College and Sunderland Libraries, before becoming a community worker with Newcastle Neighbourhood Projects (part of Community Projects Foundation), research worker with Tyneside Housing Aid Centre, and then Community Arts Development Worker (1980-6) with Peterlee Community Arts (later East Durham Community Arts).
As an industrial librarian at I.R.D., he was christened “Arts & Darts”, organising an events programme in the firm incuding poetry readings, theatrical productions, and art exhibitions by his fellow workers, as well as launching Ostrich poetry magazine using the firm's copying facilities and arranging darts matches between departments! He has been a self-employed writer since 1986 and he was awarded a doctorate at the University of Durham in 2007 for his work on writer Jack Common, having received a BA Honours Degree in Sociology in 1995 and Masters Degree in 1998 for his studies on regional culture in the North East of England. His biography of Jack Common was published by the University of Sunderland Press in 2009 and his book (with Alastair Bonnett) on Thomas Spence by Breviary Stuff Publications in 2014.
He was Year of the Artist 2000 poet-in-residence at Hexham Races, working with painter Kathleen Sisterson. He has also held residencies in Durham, Easington, Sedgefield, Derwentside, Teesdale, Wear Valley, Chester-le-Street and Sunderland.
His poetry has been extensively published in magazines such as New Statesman, Poetry Review, Citizen 32, Dream Catcher, Other Poetry, Aesthetica, Iron, Kenaz, True Faith, Salzburg Poetry Review, Sand, X Magazine, The Cherryburn Times, The Poetry Business, and Poetry Scotland, as well as in the collections The Jingling Geordie, Dreaming North (with Graeme Rigby), Pains of Class, Imagined Corners, Splinters, The Month of the Asparagus, Wallington Morning (the latter in 2017), on cassette, LP & CD, and on radio & TV. He has also written for music-theatre productions, including Oer the Hills (with Dreaming North - Graeme Rigby, Rick Taylor, Paul Flush, Joan McKay and Keith Morris, with guest Kathryn Tickell,) and Wor Jackie (with Mike Kirkup) (1988) for Northumberland Theatre Company; Pigs Meat (1997 & 2000) for Bruvvers Theatre Company; and The Roker Roar (1998) for Monkwearmouth Youth Theatre Company. Other commissioned work includes Fire & Brimstone(with Linda France, Paul Flush and others) (1989) and The Hexham Celebration (with Paul Flush and others) (1992), both for the Hexham Abbey Festival; Suite for the River Wear (with Dreaming North) (1989) for BBC Radio; andThe Little Count (with Andy Jackson and Benny Graham) (1993) for Durham County Council. He won the Kate Collingwood Bursary Award in 1986. He was the Judge for the Sid Chaplin Short Story Awards in 2000.
He has performed his poetry on several occasions at the Edinburgh Fringe Festival and at Festivals in Aberdeen, Bradford, Cardiff, Cheltenham (twice at the Festival of Literature - with Liz Lochhead and with “Sounds North”), Durham, Newcastle upon Tyne, Greenwich, Lancaster, and throughout the land. He has read in Newcastle at the Morden Tower, Swarley's Club, Newcastle & Northumbria Universities, The Blue Room & The Baltic, at Durham's University & Colpitts Poetry, Berwick's Maltings & Guildhall, Tees Valley's Write Around & Writers' Cafe, Leed's Wicked Words, York's Riverlines, Lincoln's Spoken Word, Liverpool's Stamps, Sheffield's Antics, Bradford's Grey Sheep Cabaret, Aberdeen's Springtides, London's Apples & Snakes, at the Universities of Bath, Durham, Newcastle and Warwick, in Edinburgh at Newbattle Abbey College, the Scottish Poetry Library, the Royal Oak, Big Word and Diggers venues, in Limerick at The White House and at Galway's North Beach Nights, in St. Mary's Lighthouse, Whitley Bay, in Berwick Town Hall, and in castles, churches, hotels, bars, and community centres throughout the land. He has received an Arts Council of Northern Ireland grant to visit Belfast and Northern Cultural Skills Partnership grants to attend conferences in Bath, Leeds and London.
In his youth, he travelled to Paris to seek out the grave of poet Charles Baudelaire and he has been making cultural pilgrimages abroad ever since. He has toured to Russia, Georgia, Bulgaria, Poland, Iceland (including readings with Peter Mortimer during the Cod War), Denmark, France, Germany (including readings at the Universities of Hamburg, Kiel, Oldenburg, Trier and Tuebingen), Hungary, Italy, Ireland, Spain, Sweden, Czech Republic, The Netherlands, the United States, Cuba, Jamaica and Kenya. His poetry has been translated into Dutch, German, Russian, Italian, Icelandic and Czech.
He has long pioneered cultural exchanges with Durham's twinning partners, particularly Tuebingen and Nordenham in Germany and Ivry-sur-Seine and Amiens in France, as well as with Newcastle's Dutch twin-city of Groningen. In fact, he has visited Tuebingen some 30 times since he first spent a month there in November 1987 as poet-in-residence supported by Durham County Council and the Kulturamt, and he has performed his poetry in the city's Hoelderlin Tower and, on three occasions, as part of the annual Book Festival. He has arranged for writers such as Katrina Porteous, Julia Darling, Michael Standen, Alan C. Brown and Linda France to join him in Tuebingen. In 2002, he visited New York City to give readings with the aid of a Northern Arts Award.
He has also won Northern Arts Awards to visit Berlin in 1990, in 2001 to pursue his studies of Dutch regional culture, in 2002 to visit New York, and in 2003 to visit Prague (with poet Paul Summers). His travels to Denmark, Germany, Holland and Sweden have also been supported by the British Council. By way of cultural exchange, he has arranged for visits to North East England by poets from Scotland, Germany, The Netherlands, the Czech Republic, America and Russia.
He often works and travels with folk-musicians from North East England, including Jez Lowe, Marie Little, Gary Miller and George Welch, and he has written the lyrics for an album, Bleeding Sketches, by folk-rock band The Whisky Priests, with whom he has toured extensively in The Netherlands. He has also visited the European Parliament in Strasbourg to perform his poetry with musicians Pete Challoner and Ian Carr. He has recently inspired songs by Jez Lowe and by Joseph Porter of Blyth Power.
In 2004-5, with the support of Arts Council England, North Tyneside Council and Northumberland Coast Area of Outstanding Natural Beauty, he worked with Berlin artist Rolf Wojciechowski on a text sculpture which involved readings on the beaches along the Northumbrian coast from Marsden to Cullercoats and from Druridge Bay to Berwick.
In 2007 he collaborated on the touring play The Making of Saint Cuthbert for which he wrote and performed his poetry including shows in local churches. He appeared again at the Hexham Abbey Festival in 2008 and at the Durham Book Festival.
Though a regionalist inspired by the landscape of his birth and its folk and musical traditions, he is very much a European and his work is much influenced by writers such as Hoelderlin, Hesse, Brecht, Baudelaire, Prevert, Esenin, and Mayakovsky.
Posted by keith armstrong at 8:09 am